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Robert William Paul was not only an inventor but a filmmaker and distributor. He pioneered a number of cinema techniques and constructed the first purpose built studio in Britain. 00:00:00 Rough sea at Dover (1895) The sea is quite rough, and at Dover a series of heavy waves pounds against a pier and along the adjacent shoreline. The scene then shifts to a different view of flowing water, and shows a heavy current from a point along a riverbank. 00:00:27 The Arrest of a Bookmaker (1896) Bookmaker struggles with police and is arrested. 00:01:00 Derby (1896) The Derby is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul's Kinetoscopes, featuring the end of the 29 May 1895 Epsom Derby viewed from a raised position close to the finishing line with the main stand in the distance. A stationary camera looks diagonally across a racetrack toward the infield showing the horses as they pass. Once the horses have passed the camera it is clear that the race has come to an end and there is a close finish between three horses. Once the race is over police officers run onto the field. The camera also displays various members of the audience moving around. 00:01:42 Hyde Park bicycling scene (1896) Many of the cyclists are women, and wearing skirts. Although women had been riding bicycles since the 1880s, it was only towards the end of the 1890s that they could do so comfortably without wearing trouser-like garments such as bloomers, as the design of early bicycles made riding in skirts impossible. This had been controversial for observers and cyclists alike, the former because they were convinced that women in 'male' outfits or even split skirts were immoral in some way, the latter because wearing such garments suggested a radical political outlook that they might not possess.The side of the road is lined with promenading onlookers, and the pace of the cyclists and pony-traps is gentle and leisurely, suggesting a Sunday outing of some kind. 00:02:11 Scene on the river Thames (1896) 00:03:12 Royal train (1896) The insignia visible on the train identifies it as Queen Victoria's own personal conveyance, and the presence of the monarch (or at least a very senior member of the Royal Family) is suggested by the large crowds that have gathered to witness its arrival, as well as the formal police guard of honor. If this was indeed taken in 1896, this would make Royal Train one of the oldest films depicting the British monarchy, albeit on this occasion from a discreet distance. The following year, Paul would shoot the celebrations for Victoria's Diamond Jubilee from a great many vantage points. 00:03:45 Comic costume race (1896) Amongst the most interesting of these is that representing the scene of the music hall sports at Herne-Hill. The particular event depicted is the costume race, and the manner in which the competitors scramble into their fancy dresses and tear down the course causes the heartiest merriment. 00:04:41 The twins' tea party (1896) One of the prettiest pictures of child life we have yet offered. Two pretty children are seated in their high chairs playing "Tea Party" with their dishes arranged about them. They become engaged in a dispute over the possession of a piece of cake and one of them cries, giving the most perfect and child-like facial expressions we have yet had the pleasure of seeing. 00:05:23 Blackfriars Bridge (1896) An actuality record of Blackfriars Bridge, London, taken from the southern end looking northwards over the Thames by R.W.Paul in July 1896. It was screened as part of his Alhambra Theatre programme shortly afterwards, certainly no later than 31 August, as it is included in a printed programme of that date (as 'Traffic on Blackfriars Bridge'). Two or three of the pedestrians seem aware of the camera's presence, though not to any particularly noticeable extent. 00:06:10 Westminster Bridge (1896)