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Mamiya 645 Pro Camera Review with Sample Photos and Narrative Personal Essay

The Mamiya 645 Pro was a late-stage film camera. What I mean by that is that it had the benefit of a century or more of film camera research and development supporting it but it also bore the cross of industry economics that had shifted to planned obsolescence and upgrade cycles. Professional cameras suffered that less than consumer cameras, but they were not immune. And the Mamiya 645 shows some elements of that mindset in the construction with a greater reliance on plastic components for parts of the housing and buttons and shutters that have, unfortunately often, failed with time and use. These are weaknesses that arise from a changed mindset in the approach of making something, a change that had been from building for generations toward, initially, accepting a failure in exchange for future earnings, and later, in a change toward in the case of other camera tiers, planning a failure and banking on future earnings. To me the greatest disconnect between the camera maker and the photographer, a real, honest-to-goodness photographer, is in the approach to the work product. A true photographer wants to create an image that will convey a moment, concept, thought, or emotion to an audience and to have that image hold up well over time. The true photographer wants to see their work succeed and withstand. A photograph becomes one when it has something to say. To me, the highest calling of a photograph is to say the same thing that I believe the feeling and expression of love should say. In The Red Hand Files #103, Nick Cave summarizes this better, by far, than I could. “Love says softly — I see you. I recognise you. You are human, as am I.” A photograph should say to its subject the same thing, that the subject is seen, recognized, and loved. Our photographic journeys are like road trips that lack maps, guides, and often those helpful white lines that keep us from going into the ditch beyond the shoulder. Pursuing any creative art is like driving an unlit country road with only one flickering headlight. Creativity and exploration of it make no promises. No promises for success, to reach a goal, or even complete the journey. The only promises you will ever be able to hope can be kept are those you make to yourself. So make a promise to yourself, and aim to keep it, that you will find quiet, listen for your creative voice, and seek ways to give it a presence through your work. Video Manual 1 -- Interface:    • Mamiya 645 Pro Video Manual 1: Overvi...   Video Manual 2 -- Operation:    • Mamiya 645 Pro Video 2: Operation, Ta...   References: https://en.wikipedia.org/wiki/Mamiya_645 https://www.butkus.org/chinon/mamiya/... http://ianbfoto.com/downloads/Mamiya%... http://ianbfoto.com/downloads/Mamiya%... https://www.cameramanuals.org/mamiya_... My Patreon Page:   / davidhancock   Follow me on Twitter:   / _david_hancock_   Gear I used for Filming and Editing: Sony A7S II, Yashica 45mm f/1.7 lens, and a lapel mic. My Photography Website: http://www.5119photography.com/