Скачать с ютуб Solar (Cmi) [No Piano] - Up Tempo Swing || BACKING TRACK в хорошем качестве

Solar (Cmi) [No Piano] - Up Tempo Swing || BACKING TRACK

Head In x2, Solo x20, Head Out x2 Up Tempo Swing 215 BPM Download a free chord chart for this tune here: https://www.jazzguitarcomprehensive.c... Check out my page for hundreds more of the best Play-Alongs and Loops in the world! Join me on Patreon for Backing Tracks and Lead Sheets each week, as well as much more: ►   / jazzguitarcomprehensive   Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: Miles Davis, *Chuck Wayne Year: 1954, *1946 Origin: Introduced on the Miles Davis album Walkin'. Style: Usually played swung, taken at a wide variety of tempos. Form: A-B (12 Bars) [8-4] The head is typically played twice on the way in and out. Key: C minor Harmony/Overview: The harmony is very functional and made up nearly entirely of II-V's. It initially gives the impression in the first few bars that it is a minor blues, although the arrival at IVMaj7 in the 5th bar makes it clear that this is not the case. The tune proceeds in a fashion reminiscent of "How High the Moon", with II-V's descending in whole-steps and a melody that gravitates heavily around the 3rds of each chord. The form concludes with a final minor II - V back to Imi. Recordings: This composition has been recorded hundreds of times to date and one of the most widely known jazz standards. Miles Davis was the first to record the composition in the studio for his album Walkin' in 1957. However, nearly 50 years after the fact the United States Library of Congress unearthed an obscure live recording of Chuck Wayne performing a strikingly similar composition entitled "Sonny" at a jam session in 1946. Although Prestige Music registered the composition for copyright in 1963, Wayne claims to have been the original composer while Miles was merely the appropriator. While there are slight differences between both recordings the sameness is undeniable, and Wayne's recording clearly predates Miles' by over a decade.​ JGC Top Picks: Bill Evans, Sunday at the Village Vanguard, 1961 Pat Metheny, Question and Answer, 1989 Brad Mehldau, Art of the Trio 4: Back at the Vanguard, 1999 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzg... Be sure to subscribe to my main channel:    / @jazzguitarcomprehensive   As well as JGC History to trace the lineage of some of the most important compositions in jazz:    / @jgchistory   The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ #Solar #JazzBackingTracks #Miles