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Concert: Pictures at an Exhibition Date: 20 August 2022 Percussion: Benjamin Boo Dizi: Lee Jun Cheng Yangqin: Ma Huan Huqin: Tan Manman Pipa: Zhang Yin Composed by Modest Mussorgsky, Orchestration by Kahchun Wong Pictures at an Exhibition is perhaps Russian composer Modest Mussorgsky’s most famous work. Inspired by the pictures of his recently deceased friend Viktor Hartmann, Mussorgsky translated his impressions evoked by them into the language of his own art of music. The result was a series of ten pieces for solo piano, each named after the picture by which it was inspired. Completed in 1874, these ten pieces are separated by a total of five interludes titled “Promenade”, which serve to represent Mussorgsky himself walking through the grand halls of the exhibition. In No. I “Gnomus” (The Gnome), the irregular lurching tempo mimics a grotesque nutcracker; and its stumbling, halting, wavering movements with distorted limbs. In No. II “Il vecchio Castello” (The Old Castle), there is an envelope of medieval romance, with a troubadour lilting away in a castle in Italy. No. III “Tuileries Garden” is a depiction of a Parisian park, with children and their nannies crowding the Tuilleries gardens, and the surrounding alleys resounding with the shrill voices of their playmates. No. IV “Bydlo” (Oxen), tells of a lumbering Polish oxcart with huge wheels, being dragged by sluggish, plodding oxen thundering upon the sodden ground with their heavy hooves. No. V “Ballet of Unhatched Chicks” is a scene from the ballet Trilby, where children portray the chicks of canaries, dancing in quaint egg costumes. In No. VI “Samuel Goldenberg and Schmuyle”, two Polish Jews, one rich and one poor, hold a burlesque dialogue. No. VII “Limoges” is raucous with the boisterous quarrels of women haggling at a market. No. VIII is split into two parts, “Catacombae” (Catacombs) and “In lingua mortua” (In a dead language), set in the underground of Paris, Les Catacombes. The artist portrayed himself exploring one of those mortuary vaults by lantern-light. In No. IX “Baba Yaga”, a clock is depicted in the form of the hut of the sinister witch Baba Yaga, sweeping through the night skies on the hunt for her victims. Lastly, No. X “The Great Gate of Kiev”, is based on the design of massive stone gates at the entrance to Kiev, with a grand cupola shaped like a Slavic helmet. With its vivid and imaginative colours, the original piano work has inspired many composers throughout history to orchestrate it for the symphony orchestra. In this version, Kahchun Wong has orchestrated it as a sinfonia concertante for chinese instruments and chinese orchestra. View concert house programme here: https://bit.ly/3Gey8mQ 音乐会：《图画展览会》 日期：2022年8月20日 打击乐：巫崇玮 笛子：李浚诚 扬琴：马欢 胡琴：谭曼曼 琵琶：张银 莫杰斯特·穆索尔斯基作曲、(委约) 黄佳俊配器 《图画展览会》或许是俄罗斯作曲家莫德斯特·穆索尔斯基最著名的作品之一。1874年，穆索尔斯基参观亡友俄罗斯画家和建筑家维克托·加特曼的遗作展览后，从作品中选出他最感亲切的肖像画、风俗画以及民间创作密切相关的画面，写作了这套钢琴曲。整部作品由与“图画”相关的各自独立的十首小品组成，由“漫步”主题穿插串联。这“漫步”仿佛在画展中，观众跟随穆索尔斯基的脚步，时而缓步慢行，时而加快步伐，向着一幅幅画作走去。 点击链接参阅《黄佳俊与新加坡华乐团》节目册： https://bit.ly/3Gey8mQ