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Please subscribe to our channel https://www.youtube.com/VoicesofMusic... The Concerto for two violins, strings, and basso continuo in D Minor (BWV 1043) of J.S. Bach. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC The concerto is surely one of the most complex, entrancing and beautiful of all of the concertos from the baroque period. We invite you to enjoy this timeless moment from the live performance at St. Mark's, San Francisco, performed on original instruments by Voices of Music. Featuring Carla Moore and Cynthia Miller Freivogel, solo baroque violins; Katherine Kyme and Lisa Grodin, baroque violins; David Daniel Bowes, baroque viola; Tanya Tomkins, continuo cello; Farley Pearce, violone, Katherine Heater, baroque organ; David Tayler, archlute. Please consider a donation, http://www.voicesofmusic.org/donate.html and we will make more videos like this one~!