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John Enright introduces Shohei Shigematsu, head of OMA’s New York office, as a designer and thinker whose ability to bridge disciplines, from economics to architectural history, reclaims the central role of the architect. Shohei Shigematsu begins with a quick review of OMA’s frustrated attempts to build in Southern California, from the project for a Universal Studios headquarters in 1996 through their proposal for the Broad Museum (2010), ending with three projects that are going forward. Shigematsu describes the evolution of OMA from a collective, to a practice centered around Rem Koolhaas, to its current configuration as nine offices with their own distinctive agendas and projects. He discusses a number of OMA New York projects, completed works, and works in progress: •11th Street Bridge Park, connecting the Capitol riverfront to Anacostia, Washington, D.C. (2014-ongoing) •Boston Seaport Innovation District (2010) •Facebook headquarters and campus, Menlo Park (2017- in progress) •Milstein Hall, College of Architecture, Art & Planning, Cornell (2011) •Project for an extension to the Whitney Museum (2000) •Albright-Knox Museum campus expansion, Buffalo (2016- in progress) •Extension to the New Museum, NYC (2017- in progress) •Pierre Lassonde Pavilion, Quebec National Museum (2016) •Faena District, Miami Beach (2016) •“Manus X Machina: fashion in the age of technology” exhibit design, Metropolitan Museum (2016), and also the Met Gala centerpiece •Project for mixed-use, Jersey City (2007) stacked units for each function •The Plaza at Santa Monica residential hotel (2013- in progress) •Two towers for Mori Building Co., Tokyo (2016- in progress)