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Why Was Everybody Kung Fu Fighting In The 70s?

Why do Black audiences love kung fu? Perhaps it's because Black kung fu films reigned in the 1970s – a fusion of Blaxploitation and kung fu where protagonists took justice into their own hands…in style! These films were wildly popular, a welcome response to the anger many people felt against societal injustice. What was happening in the 70s that led to the growth of Black films and the popularity of Hong Kong kung fu flicks? In this episode, we’ll unpack the history of how Black kung fu films became a sensation and why their themes are making a return today. Resources: Britannica. Blaxploitation movies. https://www.britannica.com/art/blaxpl... Polygon. The exact moment kung fu blew up in America. https://www.polygon.com/22660909/kung... Guardian. The return of blaxploitation: why the time is right to bring back Shaft and Foxy Brown https://www.theguardian.com/film/2018... Cambridge University Press. 2002. The Cinema of Hong Kong: History, Arts, Identity. Credits: Director: Dolly Li Producer: Tien Nguyen Consulting Producer: Danielle Bainbridge Associate Producer: Mia Faske On-camera appearances by: Danielle Bainbridge, Todd Boyd, Adrian De Leon Written by: Dolly Li and Tien Nguyen Voiceover by: Kiana Taylor Director of Photography: Brain Inocencio Online Editor & Motion Graphics: Travis Hatfield Assistant Editor: Josaen Ronquillo Additional Motion Graphics: Jonathan Gil Research Assistant: Kiana Taylor Makeup Artist: Dawn Coleman Set Designer: Tori Laxalt Fact-Checker: Yvonne McGreevy Post-production services & facilities provided by: Flash Cuts Executive Producer for Flash Cuts: Eurie Chung Executive Producers for CAAM: Stephen Gong, Donald Young Supervising Producer for CAAM: Sapana Sakya Coordinating Producer for CAAM: Czarina Garcia Executive in Charge for PBS: Maribel Lopez Director of Programming for PBS: Gabrielle Ewing This program is a production of Plum Studios and the Center for Asian American Media (CAAM).