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Native instruments B4 II - REVIEW by TIAGO MALLEN

Seja membro deste canal e ganhe benefícios:    / @tiagomallenoficial   PARTICIPE DO GRUPO DO TELEGRAM : https://t.me/joinchat/M-Y3VBjk9KJH3we... 📷 @mallentiago   / mallentiago   💼 (21) 985952299 **** AJUDE ESTE CANAL A CRESCER E A CRIAR MAIS CONTEUDO PARA VOCES . PICPAY: https://app.picpay.com/user/tiago.mallen 🌐FACEBOOK PESSOAL   / tiagorachel   Se Inscreva no Canal 🎬 🔔ATIVE AS NOTIFICAÇÕES🔔 🙏🏼Deus abençoe sua vida ! 🙏🏼 #teclado #harmonia #kurzweil #tiagomallen #korg #roland #eps #gravação #livedeprodução #keyboard #play #rec #tecladismo #aprendateclado #chords #rearmonização #studio #vintagekeys #pianista #tecladista #yamaha #ensoniq #gemequinox #dx7 #gospelchords #dicasparateclado #sy22 #ensoniq #vintagekeys #ensoniq #ensoniqsq1 #ensoniqsqrm #kawai #korg #korgkronos #play #montage #synthage #kawaik5 #dx7 #yamahadx7 #dx700 #fm #vintagekeys #yamahamm6 #mm6 #psr Since its launch in 2000, NI's B4 has been the software instrument of choice for those who want realistic tonewheel organ sounds from their computer. But NI are clearly convinced it can be better... Since 1980, when Korg released their original CX3, and made what was arguably the first serious attempt to replicate the sound of a Hammond organ in a portable keyboard, there have been scores of ersatz tonewheel organs, some good and others, well, not so good. With the advent of software instruments, 'virtual' tonewheel emulators began to appear, and it was NI's B4, first reviewed in SOS back in November 2000, that went on to become something of an industry standard. B4 hasn't been without its competitors — Emagic (now Apple) soon followed up with EVB3 (see SOS February 2003), and since then, we've seen the likes of USB's Charlie, a sample-based VST instrument (reviewed in SOS September 2004). Despite these, though, NI's B4 has remained the benchmark for Hammond plug-ins, gaining favour not only with studio-based musicians but with live performers, too. There is, however, always room for improvement. Whereas Emagic/Apple's EVB3 offers four different 'Leslie' cabinets and a choice of single or dual rotary speakers, B4 has no choice of cabinet simulations and no ambience simulations, and one frequently voiced complaint is that the volume level rather frustratingly tails off from around middle 'C' downwards. What's more, B4 's functionality has not been updated since its first release, five years ago! However, rather than making changes to B4, NI have opted to create a new generation of the plug-in. Significant enhancements and additions abound in this version — a choice of cabinet emulations, dual rotary speakers, and a new modelled tube amp are just a few of the goodies on offer. So does it sound even more authentic than before? Installation & Compatibility B4 II will run as a stand-alone instrument or as a VST, Audio Units, RTAS or DXi plug-in. Minimum system requirements are Windows XP with a 700MHz Pentium or 1.3GHz Athlon XP processor and 256MB of RAM, or a 733MHz Mac G4 with OS 10.3 and 256MB of RAM. Once installed, you have 30 days of full functionality before the software has to be registered to continue working. You do this using NI's Registration Tool method; this generates a System ID based on your computer's hardware, which you email to Native Instruments. They in turn email an Authorisation Key back to you, which, when entered into the Registration Tool, activates B4 II permanently. In the event that you have no Internet connection available at all, registration can also be done by snail mail — but not, apparently, by telephone. New Look, New Toys In contrast to B4 's two screens, or views, B4 II presents five different views. Constantly visible at the top of all five views is a panel from which you can select Presets, store sounds and select any of the five views. The main view, 'Manual' (shown above) displays the entire instrument with both manuals, pedalboard, three groups of drawbars and the performance controls from a real Hammond. 'Organ' view gives better access to the drawbars than Manual view, and provides quick access to the modelled 'Tube Amplifier' and speaker cabinet options. 'Organ' view gives better access to the drawbars than Manual view, and provides quick access to the modelled 'Tube Amplifier' and speaker cabinet options.Changes which are immediately obvious are the addition of a Rotator Brake/Run toggle switch below the keyboard (B4 's Rotator and Drive on/off switches are gone) and a control box housing Reverb level and Drive (tube distortion) amount knobs. The Rotator Brake/Run switch allows the Rotator to be stopped whilst still allowing the sound to be coloured by the Rotator's crossover network. The Rotator can still be bypassed entirely, but via a different editing view, as will be seen shortly (see page 76). The controls for Percussion and Chorus/Vibrato are present as before.