Скачать с ютуб Shirley Verrett: Bizet - Carmen, 'Habanera' в хорошем качестве

Shirley Verrett: Bizet - Carmen, 'Habanera'

Shirley Verrett (May 31, 1931 -- November 5, 2010) was an African-American operatic mezzo-soprano who successfully transitioned into soprano roles i.e. soprano sfogato. Verrett enjoyed great fame from the late 1960s through the 1990s, particularly well known for singing the works of Verdi and Donizetti. Born into an African-American family of devout Seventh-day Adventists in New Orleans, Louisiana, Verrett was raised in Los Angeles, California. She sang in church and showed early musical abilities, but initially a singing career was frowned upon by her family. Later Verrett went on to study with Anna Fitziu and with Marion Szekely Freschl at the Juilliard School in New York. In 1961 she won the Metropolitan Opera National Council Auditions. She appeared in the first concert ever televised from Lincoln Center in 1962, and also appeared that year in the first of the Leonard Bernstein Young People's Concerts ever televised from that venue, in what is now Avery Fisher Hall. She made her debut at the Metropolitan Opera in 1968, with Carmen, and at La Scala in 1969 in Samson and Dalila. Verrett's mezzo roles included Cassandra and Didon (Berlioz's Les Troyens)-including the Met premiere, when she sang both roles in the same performance, Giuseppe Verdi's Ulrica, Amneris, Eboli, Azucena, Saint-Saëns' Dalila, Donizetti's Elisabetta I in "Maria Stuarda", Leonora in La favorita, Gluck's Orpheus, and Rossini's Neocles (L'assedio di Corinto) and Sinaide in Moïse. Many of these roles were recorded, either professionally or privately. Beginning in the late 1970s she began to tackle soprano roles, including Selika in L'Africaine, Judith in Bartok's Bluebeard's Castle, Lady Macbeth Macbeth, Madame Lidoine in Poulenc's Dialogues of the Carmelites (Met1977), Tosca, Norma ( from Boston 1976 till Messina 1989), Aida (Boston 1980 and 1989), Desdemona (Otello) (1981), Leonore (Fidelio) (Met 1983), Iphigénie (1984--85), Alceste (1985), Médée (Cherubini) (1986)... http://en.wikipedia.org/wiki/Shirley_... Lyrics & English Translation When will I love you? Good Lord, I don't know, Maybe never, maybe tomorrow. But not today, that's for sure. (sung) Love is a rebellious bird that nobody can tame, and you can call him (although it is) quite in vain, because it suits him not to come. Nothing helps, neither threat nor prayer. One man talks well, the other, silent; but it's the other that I prefer. He says nothing, but he pleases me. Oh, love! Love! Love! Love! Carmen: Love is a gypsy's child, it has never known the law; if you love me not, then I love you; if I love you, you'd best beware! (You'd best beware!) if you love me not, if you love me not, then I love you (You'd best beware!) but if I love you, if I love you, you'd best beware! The bird you hoped to catch beat its wings and flew away ... love stays away, you wait and wait; when least expected, there it is! All around you, swift, swift, it comes, goes, then it returns ... you think you hold it fast, it flees you think you're free, it holds you fast. Oh, love! Love! Love! Love! Carmen: Love is a gypsy's child, it has never known the law; if you love me not, then I love you; if I love you, you'd best beware! (You'd best beware!) if you love me not, if you love me not, then I love you (You'd best beware!) but if I love you, if I love you, you'd best beware! Choir: Love is a gypsy's child, it has never known the law; if you love me not, then I love you; if I love you, you'd best beware! (You'd best beware!) Carmen: if you love me not, if you love me not, then I love you (You'd best beware!) but if I love you, if I love you, you'd best beware! A link to this wonderful artists personal web site: http://www.allmusic.com/artist/shirle... Please Enjoy! I send my kind and warm regards,