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https://blacklivesmatters.carrd.co/ Okay. Finally. This took a little over two years of (very) intermittent work. Thank you to everybody who stuck around for all that time. You're the best, truly. I started in late June, 2019. I am finishing in late July, 2021. This began before the full release of the Hadestown Broadway OBC; what you are hearing is a London performance bootleg. This is the longest I have ever worked on something. I've taken months-long breaks from this project just from overall difficulties and problems with my ADD and executive dysfunction, but I always came back to this. I wanted to finish it. This is my fifth attempt at a true and proper "animatic" and my only finished one; all my other attempts fell apart from running out of motivation, and as someone who has always had problems committing to longer projects, I am happy to have the proof that I can do it. I always felt bad about how long this was taking me, and thought that if I just sat down to work, this would have been done a long time ago. I don't regret the pace anymore though. This is my "big bang" before I enter college. Now that I've done this, I'm ready to do better. Moral of the story is not “oh, just start, just get on it.” The moral of the story is take your damn meds. Thank you to all my friends who gave me suggestions when I asked for help or got stuck, and encouraged me when things got sad and slow, and put up with me writing my entire outlines and revisions in Discord chats or cussing out AfterEffects and Adobe. I love you so much. Even when you were reading bad fanfic, saying "piss," yelling, playing Rick Astley, and Phone Guy audio clips in the voice call while I was streaming. Notes: Persephone does not have a brutalist throne next to Hades’; not because it was denied to her, but because she refuses to rule as he does and refuses to lord over the workers who slave under his iron hand. This wretched palace, she sees as his and his alone. Double fun fact: if you think that the workers featured look like the OBC chorus & two of the swings, you'd be correct! Triple fun fact: I've had a rising platform (and the godly size difference) in mind ever since I first listened to this in like, 2018! But back then it was just a mechanical platform, not a pillar of light, and it was all way less dramatic because the original track in the NYTW Live album was also way less dramatic. But I just wanna put it out there that I was ahead of the curve with the platform. I'm a psychic. /j Golden light was also a constant as seen in my Epic III cathedral edit that I made before I even properly listened to the whole show, but it never became so Much until Broadway. Also, this was worked on out of order. The middle and most dramatic section was completed first, using a .jpeg slideshow technique in iMovie. After that I got pissed with the editing capabilities and got AfterEffects; then I completed the beginning, and then I completed the end, and pieced it all together. So if the art and editing looks janky in places, that's why. ALSO, all you people do yourselves a favor and look at the other Hadestown albums!! Hadestown has three albums from over the years and they're all gorgeous, they're all on Spotify and iTunes and Youtube go check them out I'm begging you I keep getting comments on my NYTW Epic III video asking what song it is and if it's on Spotify girl help. Inspirations include: Journey (PS3), Gris, Caspar David Friedrich paintings, Be Prepared from Lion King, Homestuck's [S] Make Her Pay, Kung Fu Panda 3’s scene in the spirit world, the healing scene in Wolfwalkers, and a clip from Ozai vs. Aang in Sozin’s Comet. "Number one: nobody does it alone. And, number two: it takes a long time. And number three: it is worth it." Anaïs Mitchell "The fastest way to get there is slowly." Andre de Shields I make art! Find me: tumblr: @druid-for-hire instagram: @druid.for.hire twitter: @druid_for_hire AO3: @druidforhire kofi: @druid_for_hire Programs used: Audacity Photoshop iMovie AfterEffects I do not own the rights to any property implied here, except the art and video themselves, which are mine. This is made for entertainment purposes only & no profits are made.