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Pedro Ipuche Riva: Sarabanda, Recitativo y Allegro for oboe and piano

Pedro Ipuche Riva (1924-1996) Sarabanda, Recitativo y Allegro for oboe and piano (1963) Sarabanda (0.00) Recitativo (2:27) Allegro (4:15) William Wielgus, oboe Mariana Airaudo, piano Recording March 24, 2024, Escola de Música Harmonia, Camboriú, Brasil Artwork: Joaquín Torres-García: Constructif avec homme blanc [Constructive Composition with White Man], 1931. Catedral constructiva, Constructive City with Universal Man (Ciudad constructiva con hombre universal) Pedro Ipuche Riva (26 October 1924 – 25 December 1996) was an Uruguayan composer of classical music. According to the catalogue by the Uruguayan musicologist Elsa Sabatés in Músicos de aquí, Vol 4 (published by C.E.M.A.U. in 1997) he wrote 150 compositions, including 6 symphonies and 2 operas. Ipuche Riva was born in Montevideo, the son of Uruguayan poet Pedro Leandro Ipuche. His sister, Rolina Ipuche, was a writer. He began his musical studies with the composers Carlos Giucci and Vicente Ascone, but dissatisfied with his first compositions, he destroyed them all and became a lawyer. When Carlos Estrada created the Conservatorio Nacional de Música (National Conservatory of Music), Ipuche Riva completed the course in composition. Some of his fellow students were the future conductors José Serebrier and Beatriz Lockhart. After receiving his diploma he went to Paris to study with Jean Rivier and Noël Gallon at the Conservatoire National Supérieur de Musique.[2] On his return to Uruguay, he tried to be more experimental while working independently from the avant-garde mainstream of his time. He called this his "obscure period". He was appointed to several official posts including Artistic Director of the Uruguayan national broadcasting service SODRE, and director of the Conservatory, which he re-founded as "Conservatorio Universitario de Música".[3] He held those positions for many years. After attending a congress in Jamaica about the relationship between classical and popular music he started his "Classic pop period". After retiring from his official posts, he began an "introspective period" and devoted himself mainly to composing two operas.