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Don Carlo Gesualdo, III. Principe di Venosa

Just like the video The Passion of the Christ (also by Gerung-Arts&Music) the Gesualdo-Project will be released for Holy Week. While the Passion interprets the suffering of Christ, the actual Gesualdo-vid remains pretty secular. It’s the Dostoyevskian question of guilt, atonement and redemption which the project is focused on. The adaptations of Gesualdo's two instrumental works, in a version for renaissance lute, were created in 2014 on the occasion of the concerts of the 9th international festival forum of contemporary music – oberstdorf. It is by no means a work in the field of musicology, but two attempts to approach the instrumental estate of Gesualdo on the lute. This adventure seems legitimate because Gesualdo has been proven to be an accomplished lutenist, and therefore may be presumed to have first developed the concepts of his vocal works on the lute - and of course the idea to transcribe Gesualdo's oeuvre for the lute was not that new. Girolamo Kapsberger has intlavolated a madrigal from the I ° libro di Gesualdo (1594) for Tiorba. However, the two instrumental compositions Gagliarda del Principe and Canzon francese del Principe have not been transferred and recorded yet. While Gesualdo's authorship seems assured for the Gagliarda, his authorship in the Canzon is not undisputed, and a transfer to the lute also required some unconventional technique. In the Gagliarda, completely new paths were taken in the repetitions and his own figurations were inserted, which mimic Gesualdo's penchant for chromatic twists. A realization of the two instrumental works on the lute must consistently contrast with the tonal language of the numerous, virtuoso harpsichord recordings - the lute calls for a completely different approach, especially in the Canzon. All tempi were chosen to be much slower (both in the ornamentation and in the polyphonic parts), so that the instrument could unfold its very own sound aesthetics and sound world. Thus, a completely different psychogram of Carlo Gesualdo arose in a wonderful way - it is not the sketch of one as crazy, psychopathic, called as failed in life, but the music of a genius who draws his injured soul with delicate fingers on a fragile instrument ... And these two renaissance works are in company of "tapping two" - a new guitar work by Hans Jürgen Gerung that was designed in its original form (tapping one) for electric guitar. The work was commissioned by Sergio Sorrentino and it creates, in constant relation to the life of Carlo Gesualdo, a melancholic-dark and surreal soundscape that guides the listener through the dilapidated rooms of the Prince's Castle. Tracks: [01] tapping two – 1st mov. Hans-Jürgen Gerung (*1960) [02] Gagliarda del Principe Carlo Gesualdo da Venosa (1566-1613) Conservatorio di San Pietro a Majella, Napoli, MS 4. 6. 3. - Free adaption for french-lute Hans-Jürgen Gerung [03] tapping two –2nd mov. Hans-Jürgen Gerung [04] Canzon del Principe Carlo Gesualdo da Venosa Britisch Museum, MS Add. 30491- Arrangement for french-lute Hans-Jürgen Gerung [05] tapping two –3rd mov. Hans-Jürgen Gerung ©- 2022 – all rights reserved – tutti i diritti riservati: Hans-Jürgen Gerung www.edition-gerung.de Label: Gerung-Arts&Music