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Raga Devgiri Bilawal chalan tutorial by Moumita Mitra

Raag Devgiri Bilaawal Thaat Bilawal. Time : Morning Vadi Samvadi:S and P The variations in the mandra and Madhya saptak we get are as follows Version one (easier one) ,N R G m G R S R S ,N,D ,P G R G P m G Next version (more scope) ,D ,N ,D S R G M G - R S ,N S R G m G - R S ,N ,D ,P G R G m P - m G R S R G m G m P m G m R S Uttaraang phrases G P N D N S' G P D N S' G P D N P ( as per Kramik Pustak Malika swarmaalikaa) S' N D P m G S' N D n D P m G (like Alhaiya however the frequency of occurrence of komal ni is very less) Other occassional phrases used are G m D P m G G n D P m G Bihag like phrases very occasionally used are S m G P G m P N D P Common phrases in all versions: The bilawal anga phrases like G P m G m R S P N D N S' or G P D N S' And Shuddh Kalyan phrase ,P G with meend The use of komal ni is very less unlike Alhaiya Bilawal. Some also prefer using slight tivra madhyam along with Pancham. * m is Shuddha Madhyam So to sum up... we get traces of Shuddha Kalyan, Bihag, Alhaiya Bilawal along with phrases of Shuddha Bilawal. Rest is upon the artists to follow the phrases as per their own aesthetics. Reference sources: for my knowledge I have referred to few recordings of Senior musicians (Vocal and Instrumental) on YouTube, Kramik Pustak Malika and Rajan Parrikar website. A Lakshan Geet in Jhaptal in available on YouTube    • Raga Devgiri Bilawal Lakshan Geet Jha...   I have tried to compose the lakshan geet ( Originally by Pandit Bhatkhande ) on the lines of the important characterising phrases of Devgiri Bilaawal.