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Скачать с ютуб Italian bagpipes: Vincenzo Sanzo plays a Tarantella on zampogna a chiave di 4.5 palmi in C or B в хорошем качестве

Italian bagpipes: Vincenzo Sanzo plays a Tarantella on zampogna a chiave di 4.5 palmi in C or B 1 год назад


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Italian bagpipes: Vincenzo Sanzo plays a Tarantella on zampogna a chiave di 4.5 palmi in C or B

This video was originally recorded at the same session as the Passeggera in October 2019 by Giovanni Di Federico on a hard-to-find Facebook page he runs which only Italians or Italian bagpipe fans will ever find. Trying to make a wrongly-kept secret known by uploading this to reach out to wider audiences because nobody would otherwise know how insanely cool Italian bagpipes are. This is the young pipemaker Vincenzo Sanzo (born about 1994 or so) playing a 4.5-palmi zampogna a chiave Lucana he made. Based on A = 440, is it in the key of B or is it in the key of C? To my ears, it's closer to C but I can let y'all perfect pitch possessors be the judge of that, haha. I have perfect pitch myself but it's difficult to tell. The one thing about Vincenzo that most people will love was that he was a professional-level classical pianist, so learning the zampogna was relatively easy for him. I do have some piano experience, so learning the zampogna would probably be easy enough for me, given that one piper taught me the fingering since 2010. I bet you can definitely hear some piano influences in Vincenzo's playing. Like, if I didn't tell you he was a professional pianist, would you have been able to tell or not? I think the piano influences are heard in the very very fast notes on the soprano chanter. I think the honest proof is in the playing. Zampognari are going to be much better pipers if they have piano experience, Vincenzo Sanzo was already playing Chopin, Ravel, Mozart etc. at age 10. At 18 he turned to zampogna making. My first impression is that there is a relatively loud Dó and equally softer Ré on the bass like a Forastiero is known for. With the evidence that Vincenzo learned from Quirino Valvano who learned from Forastiero who learned from Trimarco, all of which had a huge fortissimo bass Dó and a contrastingly pianissimo bass Ré, you can hear why his pipes have an uneven bass sound. Still, the other bass notes are audible enough, but the sopranina drone is still overkill. A good bass chanter has all of its notes loud and clear, such as Mazzillo, or smaller sizes of typical Lucana zampogne. Behind the "Palmi" size, "Palmi" is a very old Italian measurement, which varies between 25 centimeters each (short palmi), and 26.5 centimeters each (long palmi). The difference between two tones generated by those two frequencies is an entire half step or semitone. This measurement was not written in stone and so it varied anywhere from 25 to 26.5 centimeters, so the variation in pitch within the palmi measurement gives you as much as an entire half step or semitone. Not familiar with Italian bagpipes? I encourage you to download this plain text dictionary I put together about these instruments. You will seriously learn a ton of things you never knew, and I don't want this to be entirely secret so this is my best way of getting the word out. This link will be updated whenever future modifications to the dictionary are made, so if you don't have the latest version, no worries. Last updated: 12/31/2023 https://www.dropbox.com/scl/fi/pysxqo... A recording by the same piper from the same session videoshot by the same person can be heard here:    • Italian bagpipes: Vincenzo Sanzo play...   #Italian #bagpipes

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