Скачать с ютуб Tripura Sundari Maa (ত্রিপুরা সুন্দরী মা) | Bhakti Geeti | Shyama Sangeet | Tripureshwari Maa Song в хорошем качестве

Tripura Sundari Maa (ত্রিপুরা সুন্দরী মা) | Bhakti Geeti | Shyama Sangeet | Tripureshwari Maa Song

Tripura Sundari Maa (ত্রিপুরা সুন্দরী মা) | Bhakti Geeti | Shyama Sangeet | Devotional Songs | Tripureshwari Maa Song Song :- Tripura Sundari Maa Singer : Aman Acharya Lyrics :soumik Banik Composition: Tapas Dhar Music mixing mastering : Tapas Dhar Featuring : Anirban Bhowmik ,Sayantika Nath ,Aman Acharya,Alak Chakraborty, Sampa Dey, Diya Saha Presented by : Dhinchak boyzz Directed by Anirban Bhowmik Arrangement and producer : Rk Maharam & Sandip Saha Drone : Palash Barua Cinematography & Editing & GFX : Suvankar Shing Special thanks Anirban Bhowmik Sayantika Nath Utpal Dey Deep Goswami Diptanu Tripura Sundari Temple is a Hindu temple of the Goddess Tripura Sundari, better known locally as Devi Tripureshwari. The temple is situated in the ancient city of Udaipur, about 55 km from Agartala, Tripura and can be reached by train and road from Agartala. It is believed to be one of the holiest Hindu shrines in this part of the country. The state of Tripura is named after this temple. Popularly known as Matabari, the shrine is set upon a small hillock that resembles the hump of a tortoise (Kurma). This shape called Kurmapṛṣṭhākṛti is considered the holiest possible site for a Shakti temple, hence also bestowing the name of Kurma Pīṭha. The Goddess is served by traditional Brahmin priests. The temple is considered to be one of the 51 Shakti Peethas; legend says that the little finger of the left leg of Sati fell here. Here, Shakti is worshipped as Tripurasundarī and the accompanying Bhairava is Tripuresh. The main shrine, a cubical edifice with a three-tier roof with a finial, erected by Maharaja of Tripura Dhanya Manikya in 1501 AD, is constructed in the Bengali Ek-ratna style. There are two similar but different sized black stone idols of the Goddess in the sanctum sanctorum of the temple. The larger and more prominent idol of 5 feet height is of Goddess Tripura Sundari and the smaller one, adorably called Chhoto-Ma (literally, Little Mother), is 2 feet tall and is an idol of Goddess Chandi. Folklore says that the smaller idol was carried by the kings of Tripura to the battlefield. Every year on the occasion of Diwali, a famous Mela takes place near the temple which is visited by more than 0.2 million pilgrims Legend has it that King Dhanya Manikya, who ruled over Tripura in the closing years of the 15th century, had a revelation one night in a dream in which Goddess Tripura Sundari instructed him to initiate her worship on the hilltop near the town of Udaipur, the contemporary capital of the kingdom. The king found out that a temple on the hillock was already dedicated to Lord Vishnu. He was in a dilemma, unable to decide how a temple dedicated to Vishnu could have an idol of Shakti. The following night, the divine vision was repeated. The king understood that Vishnu and Shakti were different forms of the same Supreme Deity (Brahman). Thus, the temple of Tripura Sundari came into being around the year 1501 AD. In the dawn of this century, the temple has crossed 500 years. This legend is recounted as an example of solidarity between two sub-groups of Hinduism: the Vaishnava and the Shakta sects. In Udaipur, the Goddess is worshipped as Tripura Sundari. Local variants of the name of the goddess are Tripureśwarī or Ṣoḍaśī. The temple is a small cubical edifice, measuring 24 square feet at the base with a height of 75 feet. The shrine is situated on a small hillock which resembles in shape the hump of a tortoise, which gives it the name of Kurma Pīṭha. As in other typical Hindu temples, stalls along the road to the temple sell flowers and baskets of offerings that visitors can buy and offer to the goddess as Prasādam. The common Prasādam offered here is the Peda. The red hibiscus flower (রক্তজবা) is also prized as an offering to the goddess The real incident of Daksha yaga and Sati's self immolation had immense significance in shaping the ancient Sanskrit literature and even had impact on the culture of India. It led to the development of the concept of Shakti Peethas and there by strengthening Shaktism. Enormous mythological stories in puranas took the Daksha yaga as the reason for its origin. It is an important incident in Shaivism resulting in the emergence of Shree Parvati in the place of Sati Devi and making Shiva a grihastashrami (house holder) leading to the origin of Ganapathy and Subrahmanya.[1] Shakti Peethas are shrines or divine places of the Mother Goddess. These are places that are believes to have enshrined with the presence of Shakti due to the falling of body parts of the corpse of Sati Devi, when Lord Shiva carried it and wandered throughout Aryavartha in sorrow. There are 51 Shakti Peeth linking to the 51 alphabets in Sanskrit. Each temple have shrines for Shakti and Kalabhairava and mostly the each temple associates different names to Shakti and Kalabhairava in that temple. Concept of 51 Shakti Peethas are not found in old Sanskrit literatur.