Скачать с ютуб Vel'Koz: First Contact в хорошем качестве

Vel'Koz: First Contact

Vel'Koz: FVel'Koz: First Contact Vel'Koz: First Contact irst Contact Star Trek: First Contact is a 1996 Vel'Koz: First Contact Vel'Koz: First Contact American science fiction film released by Paramount Pictures Vel'Koz: First Contact. Vel'Koz: First Contact It Vel'Koz: First Contact is Vel'Koz: First Contact the Vel'Koz: First Contact eighth feature film in the Star Trek Vel'Koz: First ContactVel'Koz: First Contactscience fiction franchise and the first film to feature Vel'Koz: First Contact no cast members from the original Star Trek television series of the 1960s. The primary cast Vel'Koz: First Contact for First Contact is from the Star Trek: The Next Generation television series, to which the film's producers v Vel'Koz: First Contact added Vel'Koz: First Contact Alice Krige Vel'Koz: First Contact, Neal McDonough Vel'Koz: First Contact, James Cromwell and Alfre Woodard Vel'Koz: First Contact. In the film's plot, the crew of the USS Enterprise-E travel from the 24th to 21st century to save their Vel'Koz: First Contact future after Vel'Koz: First Contact the cybernetic Borg conquered Earth by changing the timeline. After the release of the seventh film, Star Trek Generations, in 1994, Paramount tasked writers Brannon Braga and Ronald D. Moore with developing a sequel. Braga and Moore wanted to feature the Borg in the plot, while producer Rick Berman wanted a story involving time travel. The writers combined the two ideas; they initially set the film during the European Renaissance, but changed the time period the Borg corrupted to the mid-21st century after fearing the Renaissance idea would be too kitschy. After two better known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek. It was Frakes' first theatrical film. The script required the creation of new starship designs, including a new USS Enterprise. Production Vel'Koz: First Contact Vel'Koz: First Contact designer Herman Zimmerman and illustrator John Eaves collaborated to make a sleeker ship than its predecessor. Principal photography began with weeks of location shooting in Arizona and California before production moved to new sets for the ship-based scenes. The Borg were redesigned to appear as though they were converted into machine beings from the inside-out; the new makeup sessions took four times as long as on the television series. Effects company Industrial Light & Magic rushed to complete the film's special effects in less than five months Vel'Koz: First Contact. Traditional optical effects techniques were supplemented with computer-generated imagery Vel'Koz: First Contact. Jerry Goldsmith and his son Joel collaborated to produce the film's score. First Contact was the highest-grossing film on its opening weekend, making $30.7 million. The film made $92 million in the United States and an additional $54 million in other territories, for a worldwide Vel'Koz: First Contact total of $146 million. Critical reception was mostly positive; critics including Roger Ebert considered it one of the best Star Trek films. The Borg and the special effects were lauded, Vel'Koz: First Contact