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Taxi Driver - 1954 - Dev Anand, Kalpana Kartik

Taxi Driver, 1954 Director: Chetan Anand Producer: Dev Anand Music: S.D. Burman Lyrics: Sahir Ludhianvi Playback: Asha Bhosle, Kishore Kumar, Lata Mangeshkar, Talat Mahmood Cast: Dev Anand, Kalpana Kartik, Sheila Ramani, Johnny Walker, Parveen Kaul, Hamid, Rashid, Rashid Khan, Ratan English translation included.However, the source only had subs for the dialog, nothing for the songs. I managed to track down and add subtitles for 5 of the 8 songs, including the best known. Also, there are lots of missing translations for lines of dialog, but nothing too serious. The Encyclopedia Of Indian Cinema says this about Taxi Driver: Dev Anand’s best-known ‘proletarian’ performance as a taxi driver in a story inspired by film noir. Mangal, alias Hero (Anand), rescues Mala (Kartik) from some hoodlums. This act of chivalry leads to a series of encounters with a violent criminal gang who, later in the film, steal Mangal’s cab to commit a bank robbery. Mala, who has ambitions of becoming a singer in the movies, finds shelter in Mangal’s room, which also forces her, in the most dramatic part of the film involving a mysterious sister-in-law who appears and equally suddenly exits from the story, to cut her hair and to masquerade as a man. Mangal teaches her the foul-mouthed habits of the city’s proletariat, their swaggering gait and their way of lighting a cigarette. Much of the film’s action takes place in a nightclub where an Anglo-Indian cabaret dancer, Sylvie (Ramani), works and who is in love with Mangal. The film climaxes with a shoot-out in the club between the gang, aided by a bunch of film-industry types, and Mangal’s friends. The film’s explicit invocation of Hollywood is particularly well realised in the character of the flaxen-haired Anglo-Indian drummer in Sylvia’s band, Tony (Corke). He also washes cabs, helps to save Mangal’s life and, in a remarkable shot, lies resplendent on the roof of Mangal’s taxi in the background during a drunken chat between Mangal and his comic sidekick (Walker). Most of the songs were Ramani’s cabaret numbers with a few additions: the upbeat ‘socialistrealist’ taxi drivers’ number Chahe koi khush ho chahe galiyan hazaar de sung by Kishore Kumar and the tragic Jaye to jaye kahan sung by Talat Mahmood. An article on Dev Anand and Kalpana Kartik: https://www.filmfare.com/features/bla... COPYRIGHT INFORMATION: The Indian copyright law: http://copyright.gov.in/Documents/Cop... INDIAN COPYRIGHT ACT, 1957 CHAPTER I Preliminary (f) "cinematograph film" means any work of visual recording on any medium produced through a process from which a moving image may be produced by any means and includes a sound recording accompanying such visual recording and cinematograph shall be construed as including any work produced by any process analogous to cinematography including video films.” "CHAPTER V Term of Copyright 26.Term of copyright in cinematograph films. In the case of a cinematograph film, copyright shall subsist until sixty years from the beginning of the calendar year next following the year in which the film is published." My words: Indian film copyright (including video, dialog, music, lyrics, songs) lasts for sixty years and any film and its songs released more than sixty years ago is in the public domain. No extensions, no renewals, no exceptions. This film is no longer protected by copyright.