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With images of Graupner's autograph manuscript from Universitäts- und Landesbibliothek Darmstadt, Mus-Ms-472-02-7 Suzanne Stumpf, traverso; Sarah Darling, viola Daniel Ryan, cello; Michael Bahmann, harpsichord This work shows Graupner's genius on many levels. He has created three characterfully chiseled themes that are presented one by one. As the movement progresses, he combines them, recombines them, and realigns them continuously, with their juxtaposition resulting in a contrapuntal tour de force. Despite his clever and layered juxtapositions, he orchestrates the whole movement for maximum transparency, so the listener’s ear can be tickled by the passing of the various themes. His use of rests is just as important as his use of notes in varying the texture and keeping the listener engaged.