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VORTECH

A short middle of the road, electronic techno inspired track with a slow BPM. Produced with Eurorack components from Cosmotronic and Erica Synths. This in the complex oscillator lane but hopefully will provide a comfy ride. It was recorded at about 5am, as it's a nice time of the day to get creative, though percussion elements were added later in the day. The base video uses a visualiser I am programming and hoping to finish sometime this century, with further effects applied in Davinci Resolve. Not much to it, just a pretty backdrop to the music really. Philosophy time... A few years ago, or maybe less, I read about a guy, possibly in Spain or Portugal (may have even been a South American country), who had taken to filling potholes in the road with amazing creative patterns. Basically he was tired of seeing them and with the local authorities who never seemed to want to fix them. And so he took action and became something of a local Banksie, even spawning a few other creatives who also took up the challenge... even the local authorities were impressed so they didn't get arrested fortunately :) In some ways creatives, who produce their own music and art and publish, are doing the same kind of thing. There are many roads on the Internet, mostly populated by commercial media, that leave a lot of holes in the knowledge of how that media came to be. Much of it is manufactured from beginning to end to follow specific formulae for making money, or the exploitation of talent towards the same end... as the man formally known as Prince used to indicate. There is also some pressure placed on services that allow the freedoms as descibed, by these commercial entities to limit the creators pursuits; since inadvertently such activity some how interferes with the bottom line. Possibly since such entities appear to throttle production in order to generate demand, and possibly such a model, when confronted with a continuous supply of new and alternative media, breaks or fails to generate predicted returns. Even so as indicated this model by design leads to the need for creatives to plug the holes, even if only for their own peace of mind, like the man filling filling potholes with art... a modern form of digital grafitti if you like. However, in the new world that is forming, that of AI in music and art production, this makes the formulas of the commercial entities much easier, and eventually could even remove the costs of human talent from the bottom line altogether. Presumably the consumer will still be required for this formula, at least prior to full machine to machine consumerism. Also assuming the consumers still have jobs that can't be fully automated and still have money to be consumers. So what does this experience offer the consumer? Basically, this offers the consumer absolute perfection of a craft, be that sound or vision. For music this will mean perfect tuning, rythm and finesse. Though to be fair you may be able to dial in a little discord here and there while access to such services are in the public domain. What does this mean psychologically for the consumer? This might be part of the perfectly smooth digital world that some dream of. The problem with this is not good for us. Not directly related but a scientific study in America, I haven't got the report to hand so cannot give the exact dates, etc.. floated a volunteer in a water tank for a set period of time. The water was at exact body temperature and there was no external or internal stimuli. Even the lighting was constant. The volunteer was given air and nourishment by pipes and nothing else, he was completely submerged and suspended at depth so that there could be no possibility of touching anything. Sensors were attached to monitor brain activity, etc.. The study concluded that after a certain period of time that humans with no stimuli, specifically textures, start to go insane. Apparently the volunteer, having lost perception of time, space and reality began to mumble crazy things. Based on this study I think it's okay to say that people actually need textures and sensation as something that, although not always pleasant, such as rough stone, it is necessary and desirable for human psychology and balance. I think of Bruce Willis in the movie Die Hard, barefoot on the aeroplane scrunching the carpet with his toes in order to overcome a fear of flying, as a perfect metaphor for this. Currently the digital world doesn't provide the textures and real experience that people need. And seems purely aimed at reducing such experience, including taking human creativity out of the equation. This is not beneficial and is a disservice to the consumer. Of course there is always the flip side, where if we upload all our experience to the machine, when the spaceships finally do land and find only the machine, at least they will be able to determine who we were, warts and all. Yes this tracks not great, but hey.