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The Docks of New York (1928) Josef von Sternberg, George Bancroft, Betty Compson and Olga Baclanova.

"The Docks of New York" is a silent drama film from 1928, directed by Josef von Sternberg and featuring a cast that includes George Bancroft, Betty Compson, and Olga Baclanova. The screenplay, crafted by Jules Furthman, is an adaptation of John Monk Saunders' narrative, "The Dock Walloper." Movie Info: A ship's stoker undergoes a life-altering transformation after rescuing a world-weary woman from a suicide attempt. Plot: An American tramp steamer docks in New York harbor sometime in the early years of the 20th century before prohibition. In the bowels of the ship, coal stokers are shutting down the furnaces and anticipating a night of shore leave. The bullying third engineer, Andy (Mitchell Lewis) warns the exhausted crew that they will be punished if they return drunk when the vessel sails the following morning. The stokers gather to leer at crude pornographic graffiti scrawled on the engine room wall before debarking to carouse at the local gin-mills. On shore, Andy enters The Sandbar, dance-hall saloon, craving a beer and female companionship. He has an unexpected encounter with his estranged wife, Lou (Olga Baclanova). During his absence of three years, she has become a habitué of the saloon, where she freely enjoys male companionship. The “couple” joins one another for a drink; no love is lost between them. The stoker Bill Roberts (George Bancroft) – a swaggering brawler when on leave – rescues a drowning prostitute named Mae (Betty Compson) who has leapt off the dock to end her sordid life. Bill, ignoring the admonishment of his sidekick “Sugar” Steve (Clyde Cook), impassively carries the semi-conscious woman to a room above The Sandbar, indifferent to the protests from the proprietor's wife, Mrs. Crimp (May Foster). Lou intercedes to provide first-aid and revives Mae, a fallen angel like herself. Bill's growing awareness of Mae's physical beauty assumes a proprietary quality. He fetches her a beverage from the bar and presents her with a pretty dress he steals from a pawn shop next door. Bill exhorts her to join him for the evening, and Mae, distraught and vulnerable, accepts his invitation. They meet downstairs in the raucous tavern. Andy attempts to pull rank and cut in on the couple, but the powerful stoker drives him off with blows. Lou, observing her husband's boorishness, looks on with contempt. Mae and Bill mutually confess their sexual histories to one another, she with regret, he with masculine pride. So as to win Mae's favors for the night, Bill consents to marry her on the spot, and Mae wistfully obliges. The local missionary “Hymn Book” Harry (Gustav von Seyffertitz) is summoned and sternly delivers the sacrament. Lou provides Mae with a ring: her own, now superfluous wedding ring. The couple takes their vows, each shamefacedly, and the formerly boisterous patrons observe with mock solemnity, then erupt in cheers when the newlyweds kiss. The following morning, Bill slips quietly from the flophouse honeymoon suite, without a word to Mae. Andy, observing that the stoker is abandoning his “wife”, goes to Mae's room, where she has just discovered Bill's desertion. Andy attempts to force himself on her, but Lou arrives and guns him down. The police suspect Mae of the murder, but Lou confesses and is arrested. Under the blandishments of “Sugar” Steve, Bill takes leave of Mae. Driven to distraction by his perfidy, she angrily drives him from her room. Aboard the steamer, Bill has an epiphany. He bolts from the subterranean furnaces to the sunny deck, leaps overboard and swims to shore. There he inquires as to Mae's whereabouts and discovers that she is in custody at Night Court, charged with stealing the clothing he had bestowed on her. Moments after the judge sentences her to jail, Bill presents himself and confesses to the crime, exonerating Mae. He pledges to reunite with Mae after he serves his 60-day sentence, and she agrees to wait for him. Genre: (Crime, Drama). Director: Josef von Sternberg. Writer: Jules Furthman, John Monk Saunders.