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Radio City Music Hall American Symphony Orchestra Westminster Choir February 28, 1984 Aida: Martina Arroyo Amonasro: Cornell MacNeil Radamès: James McCracken Amneris: Bianca Berini Ramfis: Paul Plishka Il Re: John Cheek 00:00 Intro by Beverly Sills 02:50 Allegro maestoso 03:38 Gloria all'Egitto 06:03 Triumphal March 07:34 Ballet 11:54 Vieni, o guerriero vindice 14:17 Salvator della patria (Il Re) 16:13 Che veggo!... Egli?... Mio padre! (Aida) 16:39 Suo padre! Quest'assisa ch'io vesto (Amonasro) 22:00 O Re, pei sacri numi (Radamès) 24:19 Gloria all'Egitto (reprise) ..................................... Yes, the singing is... extra. Trrill™ is about florid passages, improvisatory underpinnings, staccato'd intuitions, and virtuosities even at their most ridiculous. But it's also about the biggest, boldest form of vocal emission, with aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it—with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione—the vocal emission of the one and only Italian school. Caveat: I'm biased in favor of #baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): https://bit.ly/2W4qmE3 ..................................... #Baritones #BelCanto #Opera