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শ্যামা সংগীত || বাছাই করা ১০টি তারা মায়ের গান || Shyama Sangeet Bengali Devotional Song

শ্যামা সংগীত || বাছাই করা ১০টি তারা মায়ের গান || Shyama Sangeet Bengali Devotional Song #joy_tara #শ্যামাসঙ্গীত #shyamasangeet #joy_tara #bengali_devotional_song #শ্যামাসঙ্গীত #shyama_sangeet_bangla #joy_tara_song #shyama_sangeet_bangla #shyamasangeet #শ্যামাসঙ্গীত #kali_puja_song #kumar_sanu_bengali_shyama_sangeet #anuradha_paudwal #sadhanasargam #শ্যামা_সঙ্গীত_ও_রামপ্রসাদী #devotionalbenaglisongs #devotionalkalisongs #শ্যামাসঙ্গীত #anuradha_paudwal_shyama_sangeet #shyamasangeet ‪@joytara-7027‬ ‪@joytara-7027‬ ‪@joytara-7027‬ top 10 shyama sangeet song,shyama sangeet in bengali,bengali shyama sangeet video song,shyama sangeet bangla gaan,shyama sangeet bangla songs,boson poro maa shyama sangeet,shyama sangeet kumar sanu,top shyama sangeet,shyama sangeet 2022,shyama sangeet,shyama sangeet by anuradha padwal,shyama sangeet u0026 ramprasadi,shyamasangeet,kali puja song bengali,kali pujar song bengali,joy tara song,tara maa song,kali mayer gaan,kali puja song bangla,shyama Shyama Sangeet From Wikipedia, the free encyclopedia Jump to navigationJump to search Baul Song Performance - Saturday Haat - Sonajhuri - Birbhum 2014-06-28 5286.JPG Baul Song Performing in Birbhum, West Bengal Music of West Bengal Genres ClassicalRock Specific forms Religious music KirtanShreekrishna KirtanaShyama SangeetRamprasadiPatua Sangeet Ethnic music Agamani-VijayaBaulBhatialiBhawaiyaDhamailGombhiraKaviganBhadu GaanTusu GaanJhumurBolan GaanAlkapJarigan Traditional music Rabindra SangeetNazrul GeetiDwijendrageetiBaulShyama SangeetRamprasadiMoheener Ghoraguli Media and performance Music media Radio Akashbani106.4 FM Radio GoldRadio Mirchi Television DD BanglaSangeet Bangla Internet http://allindiaradio.gov.in/Default.aspx Regional music Related areas Bengal Other regions Bangladesh vte Part of a series on Hinduism 1 Om.svg HindusHistoryTimeline Origins Traditions Deities Concepts Practices Philosophical schools Gurus, sants, philosophers Texts Society Other topics GlossaryOutline Hinduism portal vte Shyama Sangeet (Bengali: শ্যামা সঙ্গীত) is a genre of Bengali devotional songs dedicated to the Hindu goddess Shyama or Kali which is a form of supreme universal mother-goddess Durga or parvati. It is also known as Shaktagiti or Durgastuti.[1] Shyama Sangeet appeals to the common man because it is a musical representation of the relationship of eternal and sublime love and care between the mother and her child. It is free of the common rituals of worship and also the esoteric practice of the Tantra. Contents 1 Origin 2 Divisions 3 Popularity 4 Notes 5 References Origin During the 12th-13th centuries when Shaktism grew in Bengal, it inspired a number of poets to compose poems on Kali. Mukundarāma, known as Kavikaṅkaṇ or 'gem of poets, ' wrote his chief poem, the epic Chaṇḍī, in 1589. Towards the middle of the 18th century, the poet Ramprasad Sen instilled new life into it and turned it into a distinct genre of Bengali songs. Ramprasad was succeeded by number of composers like Kamlakanta Bhattacharya (1772–1821), Rasikchandra Ray (1820–1893), Ramchandra Datta (1861–1899), and Nilakantha Mukhopadhyaya. In modern times both Rabindranath Tagore and Kazi Nazrul Islam have composed poems of Shyama Sangeet genre. The term 'Shyama' refers to the skin color of Kali (usually depicted in black or deep blue.) Literally, it means dusky. Divisions Shyamasangeet can be divided into two streams: devotional or metaphysical and Durgastuti, Umasangit, Agamani or Vijaya songs. The first category of songs is inspired by devotion and spiritual thoughts. The second category which is based on themes of daily family matters or social events, is known as Padavali, Umasangit, Agamani or Vijaya songs. Popularity Shyama Sangeet conceptualizes Goddess Kali as a loving human mother and the singer is longing for The Mother's love. The songs have become popular not only for its devotional side, but also for its human appeal. The theme and occasion of Āgāmanī and Vijayā songs are as follows. Parvati (Umā or Gaurī), daughter of Himālaya and Menakā, was married to Śiva, the Lord of Kailāsa. Parvati as the form of Goddess Durga (the supreme universal mother-goddess) comes to see her parents from her in laws every year. The goddess is portrayed here as an ordinary girl living far away from her mother and feels joyous to come back home after a long stay at her in laws’ place. These songs too are highly popular because of their human appeal and as they are easily identifiable with any married girl living far away from their parents. What Edward Thompson wrote in 1923 is true even today. Shayama sangeet , Wikipedia Full Link : https://en.wikipedia.org/wiki/Shyama_... #joy_tara ‪@joytara-7027‬