Скачать с ютуб Those 7 Times Stanley Turrentine Spoke the TRUTH! | bernie's bootlegs в хорошем качестве

Those 7 Times Stanley Turrentine Spoke the TRUTH! | bernie's bootlegs

Thanks for checking out my video and don't forget to SUBSCRIBE for more killing jazz content! Follow me on Insta if you don't already!   / berniesbootlegs   Twitter:   / berniesbootlegs   : Stanley Turrentine speaks the truth whenever he plays. Which clip was your favorite? Which did I leave out? Details: #1 - [0:00] - Four Sleepers/Pools -    • Видео   #2 - [1:23] - Lou Rawls Stormy Monday -    • Видео   #3 - [2:56] - In France, 1960 -    • Stanley and Tommy Turrentine (France ...   #4 - [5:11] - Don't Mess w/ Mr. T -    • STANLEY TURRENTINE (Live)  - Don't Me...   #5 - [7:10] - Impressions -    • Stanley Turrentine - Impressions (Liv...   #6 - [9:05] - Scratch My Back -    • Stanley Turrentine - Scratch My Back ...   #7 - [11:03] - Sugar -    • Stanley Turrentine - Sugar.avi   Stanley Turrentine (tenor saxophonist) was born on April 5, 1934 in Pittsburgh, Pennsylvania and passed away on September 12, 2000 in New York City. Stanley came out of a musical family in Pittsburgh, his father Thomas played sax in Al Cooper’s Savoy Sultans in the 1930s, and he was Stanley’s first teacher when the boy took up the tenor sax at age 13. Stanley credited his mother, a piano teacher, with instilling in him the bluesy feel he brought out so distinctively in his music. His brother, Tommy, six years his elder, was a trumpeter and underrated composer who served stints in the big bands of Billy Eckstine, Dizzy Gillespie, Count Basie and Benny Carter. He gave Stanley his first job at age 16 in one of the small groups he led in Pittsburgh. Upon graduating from high school in 1951, Stanley Turrentine joined the Lowell Fulson band, which then included a young Ray Charles, who Turrentine considered a great influence. Turrentine left the Fulson band to join Charles’s first band. In 1953, Turrentine moved to Cleveland with brother Tommy to work in Tadd Dameron’s group. The following year, Stanley replaced John Coltrane in Earl Bostic’s group, and brother Tommy joined several weeks later. Stanley then joined the army where he played in the 158th Army Band, known as “Uncle Sam’s All Stars.” In March of 1959, Stanley joined Tommy once again in drummer Max Roach’s quintet, where the pair began to attract attention. While his major influences – Don Byas, Ben Webster, Illinois Jacquet, Lester Young, Coleman Hawkins and Sonny Rollins – can all be heard in his playing, there was no mistaking him for anyone else when he started to wail. This edition of the Max Roach Quintet, in its fourteen months together, made many recordings under Roach’s name, a date for Roach’s then-wife Abbey Lincoln, and the solo recording debuts on Time Records: Stan “The Man” Turrentine and Tommy Turrentine, respectively. Stanley’s prominence in the Max Roach group brought him to the attention of Blue Note’s Alfred Lion, who was immediately drawn to Stanley’s ability to blend a big, soulful tenor sound with contemporary jazz concepts. Lion brought Turrentine to Blue Note in 1960, and immediately set about a dizzying spell of recordings, starting with two exceptionally fine Jimmy Smith sets in 1960, Midnight Special and Back At The Chicken Shack in 1960. Turrentine recorded the first of his many albums as a leader for Blue Note, Look Out!, in1960. This debut featured the tenor player fronting pianist Horace Parlan’s magnificent trio, with George Tucker on bass and Al Harewood on drums. This memorable lineup can be heard on the track “Someone to Watch Over Me.” Parlan and Turrentine had known each other since high school days in Pittsburgh, and the two made a potent musical team, brimming with a distinctive energy. They went on to record Up At “Minton’s” with Grant Green, and Comin’ Your Way with Tommy Turrentine, which was intended to be Stanley’s third album for Blue Note, but was not issued until the 1970s. The pair can also be heard two of Parlan’s Blue Note albums Speakin’ My Piece and On The Spur Of The Moment. There are many fine performances on these albums, where all concerned dig deep into a bluesy bag of bop and gospel grooves: “Minor Chant” from Look Out!, “Thomasville” from Comin’ Your Way and “Stanley’s Time,” “Broadway,” “Later At Minton’s,” and “Come Rain Or Come Shine,” from Up At “Minton’s”. Blue Note placed Turrentine in many interesting and ultimately satisfying settings, and he recorded prolifically, notably on Blue Hour from1960 with The Three Sounds. Also not to miss are Turrentine’s second Blue Note album from 1962, That’s Where It’s At with Les McCann, Jubilee Shout!!!, with Kenny Burrell and Sonny Clarke, also recorded in 1962 but first issued in 1978, guitarist Kenny Burrell’s superior album Midnight Blue from 1963, and Easy Walker with McCoy Tyner in 1966. You can follow my personal account here:   / kennnymccabe