Скачать с ютуб The Flagellation of Christ: A Formal Analysis | AmorSciendi в хорошем качестве

The Flagellation of Christ: A Formal Analysis | AmorSciendi

This video is a formal analysis of the composition of Piero della Francesca’s painting The Flagellation of Christ. It moves through competing theories regarding the subject of the painting, and then does a geometric analysis of the composition to show how the formal qualities of the painting contribute to its overall meaning, whatever that meaning may be. Follow on Twitter: ‪@AmorSciendi‬ Support on Patreon:   / amorsciendi   Thanks to Bahar Hassantash for her thoughtful editing and vision for how to animate the geometry of this one. Works Cited Elkins, James. “Piero Della Francesca and the Renaissance Proof of Linear Perspective.” The Art Bulletin, vol. 69, no. 2, 1987, pp. 220–30. JSTOR, https://doi.org/10.2307/3051019. Accessed 20 Jun. 2022. Geometry in Art & Architecture Unit 13, math.dartmouth.edu/~matc/math5.geometry/unit13/unit13.html. Ginzburg, Carlo. The Enigma of Piero: Piero Della Francesca. Verso, 2002. Kemp, Martin. “Piero's Perspective.” Nature News, Nature Publishing Group, www.nature.com/articles/36469. Lavin, Marilyn Aronberg. Piero Della Francesca: The Flagellation. A. Lane, 1972. Pope-Hennessy, John. The Piero Della Francesca Trail. Thames and Hudson, 1993. #arttheory #arthistory #renaissanceart