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This month we step into the studio of Berlin-based engineer, producer and author Moses Schneider. Moses got his big break working at the famous Hansa Tonstudio with Pixies and has since worked with big-selling German acts Kreator and Tocotronic. He has also worked with The Strokes’ producer, Gordon Raphael, who calls him “the Einstein of live recording.” In our video he talks about his approach to production, and demonstrates how he records and processes drums to give them the most character — and specifically about the intriguing ‘wurst’ mic technique. Subscribe! https://sosm.ag/subscribe Visit www.soundonsound.com Chapters 00:00 - Introduction 00:20 - Moses Schneider Working At Hansa Studio 02:24 - Transporterraum Studio in Kreuzberg, Berlin 04:46 - Recording Room / Overdub Booth Example 1 - Dance Rock - Click Track 06:16 - Recording Drums In A Small Room 07:17 - Microphone Setup 08:05 - 'Wurst' Microphone Technique 09:19 - Dry Drum Tracks 12:11 - Wurst Microphone Tracks 15:01 - Live Recorded Effects & Plate Reverb 18:04 - Creating Character In The Room Example 2 - Rock - No Click Track 19:27 - Recording With A 1956 Telefunken 4-Track Tape 21:22 - Building A Tight Low End 23:06 - Recorded Plate Reverb & Tape Delay 24:40 - Cymbals 26:09 - Moses' Thoughts On His Recording Process Like Sound On Sound: / soundonsoundmag Follow Sound On Sound: / soundonsoundmag Follow Sound On Sound on Instagram: @soundonsoundmag #recording #studio #hansa #musicproduction #production