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For the first time since Pathaan's release, director Siddharth Anand speaks to Anupama Chopra on Directors' Cut about the making of the film, directing Shah Rukh Khan and Salman Khan in that iconic cameo scene and designing the 'seeti and clap' moments in the film. Watch to find out what where the director will take the universe next. #siddarthanand #pathaan #srk Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On: / filmcompanion / filmcompanion / filmcompanion Time Stamps: 00:00 The Making Of Pathaan with Siddharth Anand 02:20 The Art of creating an Event Film 06:33 Why Siddharth Anand became a filmmaker 07:15 Siddharth Anand's favourite directors 10:10 Designing 'Seeti' moments for Pathaan 11:47 Anupama Chopra's experience while watching Pathaan 12:33 Decoding Pathaan's climax 14:27 Siddharth Anand's process of building a film 19:00 Siddharth Anand on a filmmaker's conviction 21:18 Siddharth Anand on the Heightened Reality of a film 24:33 Siddharth Anand on choosing locations for his films 26:42 Tiger & Pathaan 28:23 Siddharth Anand on John Abraham 30:22 Hindi Cinema audience 33:50 Best scene of SRK from Pathaan 35:12 Siddharth Anand on social media negativity 36:30 Fan theories of the YRF spy universe 39:40 Bollywood vs South Films 40:20 Siddharth wants to make a love story with Hrithik Roshan 41:30 Q&A with the Audience About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.