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This padam, composed by Swathi Thirunal, is originally set to a plot where the naayika is describing to her sakhi, in agony, how Lord Giridhar arrived at her doorstep after spending the time with a damsel of Vraj. Here, Vid Veena C Seshadri dove into the spiritual aspect of this padam, representing the journey one travels, the emotional turmoil, which starts with pure bhakti , when one has nothing, which is later bound by a bit of arrogance when one is shown grace. The arrogance grows to a level where one starts showing authority and pushes everything away and when one is left with nothing is when they realise the worth of the grace. Raga : Sindhu Bhairavi Tala : Adi Dancer - Kum Niyathi Nagesh -Disciple of Vid Veena C Seshadri Nattuvangam - Vid Veena C Seshadri Singer - Vid Rohit Bhat Upoor Mrudangam - Vid Srihari Rangaswamy Violin - Vid T S Krishnamurthy Flute - Vid Jayaram Kikkeri Composition - Swathi Thirunal Choreography - Vid Veena C Seshadri pallavi AyE girdhar dvArE mErE gOrI caranam 1 amjan adhar lalAT mahAbar nayan unInde cal AyE rayan samay prabhu chal bal karikE kaun tiyA ku birmAyE caranam 2 bin guN mAl virAjat hiya mem drDha gal baiyA sukh pAyE brajA nArI ku bancan karkE kaisE prItam sukh pAyE caranam 3 sOlA singAr kari phUlan kE hAr liyE vividh sugandh sE man bhAyE baiThI thI mO man kE sAthI kumud sarOvar kumhAlayE caranam 4 sukh kE kAran dukh kE nivAran madhuvan murali dhun gAyE padmanAbh prabhu phaNi parashAyI kOTi mAyan tan chavi chAvE