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A La Machaut integrates thematic material from 3 works of the late Medieval composer Guillaume de Machaut and adds a colorfully modern touch. The piece opens with a slow introduction using melodic and harmonic material from his polyphonic chanson Puis qu’en oubli (“Since I am forgotten”). The upbeat percussion transitions the piece to the main material, quoting the melody of his secular virelai, Douce jame jolie (“Sweet lovely lady”). This piece also uses material from the Kyrie to Machaut’s Messe de Nostre Dame. A reflective middle section brings back the slow material from the introduction while maintaining the upbeat rhythms introduced earlier in the percussion. A short recapitulation revisits the virelai in several contrasting textures, leading to a climactic variation with shimmering winds, blasting percussion and low brass. A final tutti variation harmonizes the virelai and closes the piece. This piece contains strong pedagogical undertones; aside from introducing high-quality music from [nowadays] lesser-known composers to younger players, it allows numerous opportunities for brief discussions about aspects of late Medieval music. The piece’s level of difficulty is ideal for intermediate and advanced high school wind bands/ensembles.