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#malladi #carnatic #indianclassicalvocal Raga Dhanyasi can portray emotions like karuṇa (compassion) very effectively, just as it can convey the feeling of devotion or bhakti bhava. Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47 You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today. You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine. In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________ More about the music: In this concert, the Malladi brothers bring an extraordinary choice of ragas. They perform a Saint Thyagaraja kriti - ‘Sangeetha Gyanamu,’ a gem of a composition in which Thyagaraja conveys that mere knowledge of music is not enough; It is one’s devotion to music that makes it the most direct form of worship to the God Almighty. The brothers give it a spectacular spin which is hugely appreciated by the audiences. The alapana is wonderfully coordinated and the song is elaborated by sharp and crisp swarakalpanas – rapid notes that gracefully paint the devotional emotion of this raga. The musicians supporting the duo comprise of some of the most acclaimed performers from the Carnatic repertoire. Lalgudi Vijayalakshmi on the violin, Trichy Sankaran on the mridangam and Giridhar Udupa on the ghatam bring their individual flavours making this a delightful riot of emotions. Trichy Sankaran, the veteren mridangam player, plays a resounding flourish at the onset of this song, setting it on a grand path. Dhanyasi is an upanga janya of the 8th meḷakarta Hanumatoḍi. It is an auḍava-sampurṇa raga, that is, it uses five notes in its ascent and all seven notes in its descent. The swaras present in this raga are ṣaḍja, sadharaṇa gandhara, suddha madhyama, pachama, kaisiki niṣada. Suddha dhaivata and suddha riṣabha occur in descent. Dhanyasi is a rakti raga or a raga which pleases instantaneously. Gandhara, madhyama and niṣada are ragachaya swaras and nyasa swaras. G-N, M-N are vadi-samvadi svaras (consonant notes). Musicians Malladi Sreeramprasad (vocal) Malladi Ravikumar (vocal) Lalgudi Vijayalakshmi (violin) Trichy Sankaran (mridangam) Giridhar Udupa (ghatam) Priya Sharma & Srutti Suresan (tanpuras) ________________________________________________________________ All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust